Artefactum
Šéfredaktor: Lubomír Konečný, Ústav dějin umění AV ČR, v.v.i.
Redakční rada: Beket Bukovinská, Ústav dějin umění AV ČR, v.v.i. – Andrzej Kozieł, Uniwersytet Wrocławski – Vojtěch Lahoda, Ústav dějin umění AV ČR, v.v.i. – Jana Pánková, Ústav dějin umění AV ČR, v.v.i. – Roman Prahl, Univerzita Karlova v Praze – Dalibor Prix, Ústav dějin umění AV ČR, v.v.i. – Jiří Roháček, Ústav dějin umění AV ČR, v.v.i. – Lubomír Slavíček, Masarykova univerzita, Brno – Juraj Šedivý, Univerzita Komenského v Bratislave – Alena Volrábová, Národní galerie v Praze – Jindřich Vybíral, Vysoká škola uměleckoprůmyslová v Praze – Marek Walczak, Uniwersytet Jagielloński w Krakowie
Výkonný redaktor: Ivo Purš, Ústav dějin umění AV ČR, v.v.i.
T +420 221 183 505, 221 183 501, purs.at.udu.cas.cz
Distribuce: Mgr. Lenka Vítková
T +420 221 183 502, 776466653, vitkova.at.udu.cas.cz
Nakladatelství ústavu Artefactum bylo založeno roku 1994 s cílem publikovat (česky, případně anglicky nebo německy) nejen výsledky výzkumu Ústavu dějin umění AV ČR, v. v. i., ale zpřístupnit původní práce domácích i zahraničních historiků umění na důležitá (středo)evropská témata. Jako jediné nakladatelství v ČR vydává vybrané disertační práce obhájené na českých univerzitách v oboru dějiny umění.
V nakladatelství vychází dvě ediční řady: Fontes historiae artium jako řada edic písemných pramenů z našich i zahraničních archivů k dějinám českého i světového výtvarného umění; Opera minora historiae artium, zaměřená na studie monografického charakteru věnované jak jednotlivým umělcům, tak i konkrétním uměleckým dílům. K dalším standardním publikacím nakladatelství patří konferenční sborníky a vědecké katalogy a Bulletin Studia Rudolphina.
Na financování vydávaných publikací se dominantní mírou podílí Ediční rada Akademie věd ČR. Nakladatelství Artefactum koordinuje svou publikační činnost s nakladatelstvím Academia.
Zahrady Rudolfa II. Jejich vznik a vývoj [The Gardens of Rudolf II. Their Origins and Evolution]
Sylva Dobalová
The art lover Emperor Rudolf II also devoted considerable attention to his gardens, most of which had been laid out by his predecessors; so far, however, little has been known about them. The history of the gardens of Prague Castle (with the Royal Garden in pride of place), the Hvězda Game Preserve, the Imperial Mill, and the gardens of the castle in Brandýs nad Labem, is presented in the book in such a way as to provide the most concrete impression of what they originally looked like. The story of how their various buildings and features came into being – such as orangeries, ball game halls, menageries, secret passages, geometrical flower-beds and fountains – reveals a great deal about how people viewed gardens and life in them at that time, but also includes the everyday problems of the court architects and gardeners. Help in presenting a graphic overview of 16th-century horticulture is provided by many references to gardens elsewhere in Europe, especially in Italy, the extensive illustrations for the book, and also a summary of Renaissance theoretical views, which differed considerably from those of the Baroque.
First edition, in Czech, 349 pp., 263 colour and black-and-white illustrations, coloured appendix (plan of the Royal Garden), Praha 2009. ISBN 978-80-86890-25-8
Der Herrscher auf dem Sakralbild zur Zeit der Gegenreformation und des Barock
Eine ikonologische Untersuchung zur herrscherlichen Repräsentation Kaiser Ferdinands II. in Böhmen.
[The Monarch in the Sacred Image of the Counter-Reformation and Baroque Era (An Iconological Study to the Sovereign Representation of the Emperor Ferdinand II in Bohemia)]
Štěpán Vácha
Displaying of the sovereign in the post-Tridentine sacred image constitutes a peculiar hitherto unexplored phenomenon of early modern art. The author of presented book puts it into relation with the contemporaneous, extremely intensified sovereign’s activity in the field of church patronage and with his need to be adequately represented in the liturgical space. The main focus – with regard to the Bohemian environment and the issue of Pietas austriaca – is paid to the representation of the emperor Ferdinand II, whose youth spiritual formation, personal piety and religious politics are strongly reflected in its iconography and public image. It is particularly evident in two works – the wall painting in St. Vitus Cathedral (1631) and the main altar painting in the Church of Our Lady of Victory in the Lesser Town (1641) in Prague. Their iconography is thoroughly discussed and the circumstances of their genesis are portrayed against the backdrop of contemporary construction history of both temples. The final interpretation is based on detailed research on important religious festivity of baroque Prague, the thanks giving procession which took place in the 17th and 18th centuries in memory of Ferdinand II’s victory over Bohemian estates in the battle of White Mountain on 8 November 1620. The book also contains unpublished sources that are related not only to the subject, but also bring new knowledge to the general religious history of Bohemia.
Issue I, German,. 328 p., many colour and blacka and white illustrations, Prague 2009. ISBN 978-80-86890-23-4
Epigraphica et Sepulcralia 2
Sborník příspěvků ze zasedání k problematice sepulkrálních památek, pořádaných Ústavem dějin umění AV ČR, v. v. i., v letech 2006–2007 [Minutes of meetings held on the topic of sepultures organized in 2006-2007 by the Institute of Art History ASCR]
Ed. Jiří Roháček.
Contributions on the early Middle Ages until the 20th century by Czech, Slovak, German, Austrian, Polish and Hungarian authors from the 5th and 6th international forums. Since 2000, forums have been held regularly to bring experts from a variety of fields together to discuss sepucral monuments with an emphasis on artifacts of sepulchral culture aspect as well as the practical and methodological relationship to Central Europe (especially Czech) issues. The publication includes contributions by renowned history, heraldry, epigraphy and geology experts as well as the input of young researchers.
Issue: I., Czech, German, English. 448 pgs., black and white illustrations. Prague 2009. ISBN 978-80-86890-19-7
München – Prag um 1600
Studia Rudolphina – Sonderheft
Beket Bukovinská a Lubomír Konečný (ed.)
A publication by the Center for Research Arts and Culture from the time of Rudolf II with a focus on the issue of the relations between Duke of Munich and the Prague Imperial Court around the year 1600. The text includes new insight into a number of specific art issues around 1600. Authors include Lubomír Konečný (ÚDU), Thea Vignau-Wilberg (Munich), Dorothy Limouze (St. Lawrence University, Canton, N.Y.), Günter Irmscher (Kolín n. R.) and Evelyn Reitz (Berlin). Dorothea Diemer (Munich) focuses on sculpture comparisons, Ivan P. Muchka (ÚDU) on architecture, Peter Diemer (Zentralinstitut für Kunstgeschichte, Munich) and Beket Bukovinská (ÚDU) focus on kunstkammer. Jürgen Zimmer (Berlin) contributes in depth on socio-cultural comparative studies. The summary was written by American art historian, Thomas DaCosta Kaufmann (Princeton University). The “Munich-Prague around 1600” conference, held March 22 and 23 2007 was the first in a series of smaller international conferences organized by the Research Center for Arts and Culture and Staatliche Graphische Sammlung in Munich.
Issue: I., German, English, 192 p., colour and black and white insets, Prague 2009. ISBN 978-80-86890-22-7
Savonarola a Florencie. Jeho působení a estetické názory [Savonarola and Florence, his influence and aesthetic opinions]
Jan Chlíbec – Tomáš Černušák
The monography of Savonarola consists of three parts. The first part (J. Chlíbec) is devoted to the cultural atmosphere of Florence of the second half of the 15th century. The second part (T. Černušák) is concentrated on Savonarola´s life on the historical background of Florence and on the development of his theological and political opinions. The third part (J. Chlíbec) is devoted in detail to Savonarola´s aesthetic opinions. This part is concentrated on his conception of the fine arts in general sense, on his iconoclastic actions, on his opinions on the tomb sculpture, on the style of Savonarola´s sermons, on the mutual relation of Savonarola and Czech Reformation to the function of the work of art (parallels with Hus) and on the analysis of the reasons of his popularity in Utraquist Bohemia in question of art. The text also pays attention to the influence of his ideas on the Italian art of that time (F. Lippi, Fra Bartolomeo, Botticelli, etc.).
Issue: I., Czech, English summary, 184 p., 8 colour and 34 black and white illustrations, Prague 2008. ISBN 978-80-86890-17-3
Baroque Ceiling Painting in Central Europe. Barocke Deckenmalerei in Mitteleuropa
Proceedings of the International Conference
Martin Mádl, Michaela Šeferisová Loudová, Zora Wörgötter (ed.)
A compilation of twenty contributions presented at the international Central European Baroque Wall Painting Conference, held in Brno and Prague 27 September until 1 October, 2005 and organized by the Institute of Art History ASCR, the Art history department of Masaryk University and the Moravian Gallery in Brno. The contributions are organized by sections such as artistic patronage, cultural background, the sphere?(co to je v originálu?) of painter Franz Anton Maulbertsch, monastic library paintings, research strategies on Baroque wall paintings, and architectural paintings. The authors include renowned Baroque art experts such as Prof. Frank Büttner, Prof. Monika Dachs-Nickel, Dr. Anna Jávor, Dr. Markus Hundemer, Dr. Herbert Karner, Prof. Thomas DaCosta Kaufmann, Prof. Lubomír Konečný, Prof. Gregor M. Lechner, Doc. Barbara Murovec as well as others.
Issue: I. German, English. 328 pgs., 88 pg. color inset, Prague 2007. ISBN 80-86890-14-7
Žena ve člunu. Sborník Hany J. Hlaváčkové [Lady in the rowboat. Anthology for Hana J. Hlaváčková]
Kateřina Horníčková, Michal Šroněk (ed.)
Published in honor of renowned Czech midievil scholar Hana J. Hlaváčková, the anthology is a collection of contributions from colleagues, pupils and published peers. The contributions are devoted primarily to medieval painting, sculpture, architecture, and iconography, literary culture and cultural history. It draws a connection between varying forms of the relationship between images and text as well as a tribute to the colleague and teacher renowned for taking students on whitewater trips to advance their knowledge of art.
Issue: I. Czech, English, German, summary in English, German and Italian. 424 p., many black and white illustrations, Prague 2007. ISBN 80-86890-12-0
Public Communication in European Reformation
Artistic and other Media in Central Europe 1380–1620
Milena Bartlová, Michal Šroněk (ed.)
An interdisciplinary anthology with a focus on communication methods and confessional representation during the Central European Reformation spanning the 14th to 17th centuries. Art, literature, public productions, liturgies, music, and festivities are analyzed according to structure, evolution and public response. Published contributions from twenty-four authors from the Czech Republic, Slovakia, Poland, Germany, Ireland, the United States and Canada were presented at an international conference titled “Mediums and Means of Public Communication during the European Reformation: Imagery, Art, Music, Theatre, Rhetoric,” which was organized by the Czech Academy of Art History and the Art History Seminar of Masaryk University in Brno.
Issue: I, English. 376 pgs., black & white images, Prague 2007. ISBN 80-86890-15-5
Vnitřek lesa, lesní charaktery. Julius Mařák a umění krajinomalby [Inside the forest, forest characters. Julius Mařák and artistic landscapes]
Alexander Matoušek
The study follows the artist's work in connection with several characteristic themes in the contemporary spiritual climate. One is a symbolic assessment of the deep forest of intimacy and dreaming, another new deepening of the relationship to nature, or in short, turning to the soul of the countryside. Mood is another theme and is just as appealingly attractive for theoretical assessments as it is to artistic experience. Two chapters are dedicated to composition and the semantics of illustrated space. The next to last chapter analyzes the concept of masterpiece and the last final chapter the path to achieving one.
The characteristic tendences and traits of Mařák’s artistic work and his pedagogic endeavors are outlined.
Issue: I, Czech, 104 p., Prague 2007. ISBN 80-86890-11-2
Edice nedokončeného soupisu uměleckých památek politického okresu pardubicko-holicko-přeloučského [An edition of an unfinished catalogue of art monuments in the Pardubice-Holice-Přelouč district]
Václav Karel Vendl
Jana Marešová (editor)
An edition of an unpublished list of monuments in the former Pardubice district, following many lists issued by the Archaeological Commission of the Academy of Sciences in 1898-1937. The edition was preceded by a study dealing in several chapters with the development of topography in the Czech Lands from the very beginning to the publication of art-historical lists. It also maps the establishment and activity of the Archaeological Commission and, above all, the genesis of this list with additional data on the author and the origins of the pictures.
Issue: I, Czech, 238 p. Prague 2007. ISBN 80-86890-10-4
Pictura verba cupit
Sborník příspěvků pro Lubomíra Konečného. Essays for Lubomír Konečný
Beket Bukovinská, Lubomír Slavíček(ed.)
Collective volume of entries for Lubomír Konečný Pictura verba cupit contains thematically and methodologically diverse studies, entries and reflections within broad time and subject range from antique period through medieval times and early modern period till recent days. First part includes mainly texts dealing with emblematics. The second and most extensive part deals with iconographic issues. Two shorter closing sections gather new findings in the field of art in the time of Rudolf II and new impulses to theory and methodology of art history. The collection of papers is supplied by a complete biography of Lubomír Konečný. Forty-eight contributors include not only outstanding Czech scholars, but also ten foreign experts, such as J. F. Moffitt, J. Spicer, I. M. Veldman, S. Michalski, J. Müller, and T. DaCosta Kaufmann. For this reason, the book contains Czech as well as English and German texts, all with an abstract in either Czech or English.
Issue: I, Czech, English, German, Czech and English summary, 509 p. Prague 2006. ISBN 80-86890-05-8
Detracta larva juris naturae
Studien zu einer Skizze Wenzel Lorenz Reiners und zur Dekoration der Klosterbibliothek in Břevnov
Martin Mádl, Anke Schlecht, Marcela Vondráčková
The book contains three studies dedicated to the sketches of Václav Vavřinc Reiner (from the National Gallery collection in Prague) and decorations in the Benedictine monastery in Břevnov. Anke Schlecht focuses on the formal analysis of paintings and commentary on individual iconographic motifs and particularly on the destruction of banned fine art books in the early modern period. Martin Mádl attemps to sketch the ceiling frescos proposed for the monastic library hall along with the unrealized Břevnov monastic library decorations. His work also hones in on the conflict between traditional Catholics and the new Enlightenment concept of natural law as well as its role in art. The contents of the sketches are then explained with regard to religious and historical Benedictine sentiments as well as the relationship to education. Marcela Vondráčková then expounds upon preserved decoration in the Břevnov library, in which the allegorical paintings of Felix Anton Scheffler can be seen.
Issue: I, German, 176 p., 86 colour and black and white illustrations, Prague 2006. ISBN 80-86890-09-0
Local Strategies – International Ambitions
Modern Art and Central Europe 1918–1968
Vojtěch Lahoda (ed.)
Proceedings from the International Conference of the Institute of Art History of the Academy of Sciences of the Czech Republic in Prague and New York University in Prague from 2003. Contributors: Timothy O. Benson, Anna Brzyski, Linara Dovydaityte, Eva Forgács, Irina Genova, Tomasz Gryglewicz, Jeremy Howard, Giedre Jankevičiute, Eduards Klavinš, Ljiljana Kolešnik, Vojtěch Lahoda, Esther Levinger, Christina Lodder, Marian Mazzone, Myroslava M. Mudrak, Katarzyna Murawska-Muthesius, Martina Pachmanová, Damjan Prelovšek, Ivanka Reberski, Nicholas Sawicki, Deborah Schultz, Andrzej Szczerski, Darko Šimičić, Maria Elena Versari, Annika Waenerberg, Anna Wierzbicka, Mathew S. Witkowsky, Isabel Wünsche, András Zwickl.
Issue: I, English, 243 s. Prague, 2006. ISBN 80-86890-08-2
Imitatio Romae. Karel IV. a Řím. [Imitatio Romae. Charles IV and Rome.]
Kateřina Kubínová
The book deals with the echo of roman coronation of Charles IV in the contemporary bohemian culture. Authoress analyses the phenomenon of medieval Rome and the contacts between medieval Bohemia and Rome. Especially pursues the various „roman“ motives and the attempts of imitation of Rome in bohemian culture after 1355.
Issue: I, Czech, English summary, 441 p., 57 black and white illustrations, Prague 2006. ISBN 80-86890-07-4
Objevování středověku [Discovering the Middle Ages]
Tři kapitoly k recepci gotického umění v Čechách v pozdním 18. a raném 19. století [Three chapters on the reception of Gothic art in Bohemia in the late 18th and early 19th centuries]
Pavla Machalíková
The book takes a look at correlating factors which determined how the romantic Gothic and Gothic Revival evolved in the Czech lands. It follows the impact and progress which, fused together with ancient art, would lead to how the creation of art is viewed in contemporary times. The first chapter is devoted to learning about medieval art in Bohemia and its evaluation in terms of art history development. The second chapter is focused on the issue of how Gothic architecture in the architectural work of the late 18th and early 19th centuries was received, as well the influence of specific Gothic monuments. The third chapter deals with the reception of ancient painting in contemporary art work, not only in terms of the implementation encompassing historicism, but chiefly in terms of historical inspiration in shaping the style of early 19th century Czech painting and Czech National Painting School style.
Issue: I, Czech, German summary, 232 p., 57 black and white with 15 color illustrations, Prague 2005. ISBN 80-86890-04-X
Epigraphica et Sepulcralia I
An Antology of lectures from the conference on the issue of sepulchral monuments, organised by the Institute of Art History of the Czech Academy of Sciences
Dalibor Prix – Jiří Roháček (ed.)
A comprehensive collection of selected lectures from the first four regular one-day conferences on the issue of sepulchral monuments, organised by the Institute of Art History of the Czech Academy of Sciences. The collection opens a new thematic range of the Artefactum publishing house, which seeks to provide, on an intermittent basis, room for monographic publication of more extensive studies and of collections of shorter studies on the issues of art history and epigraphy, and of sepulchral monuments, closely linked to each other in practice.
Issue: I, Czech, German 287 p., 69 p. black and white illustrated inset., Prague 2005. ISBN 80-86890-03-1
„Kunstverein“ / oder „Künstlerverein“? Hnutí umělců v Praze let 1830–1856 [Art Union or Artist’s Union? The artists movement in Prague from 1830-1856]
Zdeněk Hojda – Roman Prahl
Associations to promote art and artists associations are among the key institutions of art in the 19th century and the development of their relations or even quarrels between them are an important part of the emancipation of modern art. The Prague "Union of Modern Artists" (1848-1856) is, in that respect, an integral Central European phenomenon, which provides insight into the context of developments in neighboring countries and capitals of art.
The publication reconstructs the history and 'prehistory' of the association based on printed documents and primarily on handwritten documents. The critical edition includes previously unreleased sources and an annotated list of those already published – for example those relating to Josef Mánes.
Issue: I, Czech, German, 253 p., 10 p. black and white illustrated inset., index of names, Prague 2004. ISBN 80-86890-00-7
Zajatec kubismu [Captive of cubism]
Dílo Emila Filly v zrcadle výtvarné kritiky [1907–1953]
[Work of Emil Filla in the mirror of art criticism [1907-1953]]
Ed. Tomáš Winter
This publication provides a representative selection of critiques and reviews of Emil Filla’s exhibitions, which were published in Czech and Moravian periodicals during his lifetime. The first section focuses on the reviews of Filla’s solo exhibitions, the second on criticism of the artist's work in collective shows. The third chapter is comprised of articles on Filla. It includes an introduction by Vojtěch Lahoda, lists of works compiled from individual exhibition catalogs and an essay on Emil Filla’s relationship to art criticism.
Issue: I, 40 and 338 p., 5 black and white illustrations with inset., selective bibliography, index of names and periodicals. English, German and French summaries. Prague 2004. ISBN 80-903230-9-X
Národní kulturní komise 1947–1951 [National Cultural Committee, 1947–1951]
Kristina Uhlíková
The book deals with the fate of monuments seized by the state in 1945–1951 on the basis of presidential decrees and land reform laws. It focuses on the activity of the National Cultural Committee, an organisation whose key goal was to take over and manage these nationalised monuments, and which was managed by important art historian Zdeněk Wirth in 1947-1951.
Issue I, 266 p. Czech, Prague 2004. ISBN 80-903230-8-1
Ars Longa
Sborník k nedožitým sedmdesátinám Josefa Krásy [Volume of Essays on the Seventieth Birthday of the Late Josef Krása]
Ed. Beket Bukovinká, Lubomír Konečný
The volume brings together twenty-two papers devoted to the memory of the important Czech art historian who died in 1985 and thus would have been seventy years old in August 2003. Although articles on medieval art prevail, the volume also contains studies dealing with the sixteenth-century art, Caravaggio, art collecting and sculpture ca. 1800, Max Švabinský, Pablo Picasso, Emil Filla, Jan Koblasa, and the spiral as a motif in twentieth-century art.
Issue I, 299 p. Czech, Prague 2003. ISBN 80-903230-6-5
Pro Arte
Sborník k poctě Ivo Hlobila. [A Festschrift to Honour Ivo Hlobil.]
Dalibor Prix (ed.)
The festschrift presents a profile of the current condition of art-historical scholarship linked to the activity of prof. Ivo Hlobil. It contains 48 studies by 49 authors from Bohemia, Moravia, and Silesia, dealing with the issue of art history from early Middle Ages to the present day.
Issue I., 432 p. Czech, Prague 2002. ISBN 80-903230-1-4
Nápisy okresu Kutná Hora [Collection of Epigraphs in the region of Kutná Hora]
Petra Načeradská (ed.)
This overview of the epigraphic collection in the region of Kutná Hora includes an alphabetized history of the region, evaluation of epigraphic monuments in the Kutná Hora region with a focus on sepulchral monuments and bells, as well as sources and literature on the Kutná Hora region Epigraphic Fund. Incluces a scientific catalog, 480 inscriptions, a supplement of 17 registries, an extensive German summary and 119 black and white reproductions.
Issue: I, 537 p., Czech, German summary, Prague 2002, ISBN 80-902279-8-8
Der Hof Kaiser Rudolfs II. Eine Edition der Hofstaatsverzeichnisse 1576–1612. [The Court of the Emperor Rudolf II.]
Jaroslava Hausenblasová (ed.)
The critical edition is introduced by an essay about a personality of the imperor Rudolf II, on the origins, development and structure of the Rudolfine court. The essay also discusses literature and sources related to the topic and includes tables, figures, and indeces of names and offices.
Issue: I, Czech, German, 574 pp, Prague 2002, ISBN 80-902279-7-X
Jednota pro dostavění Chrámu sv. Víta na Hradě pražském I., 1842–1871 [Association for the completion of Saint Vitus Cathedral at Prague Castle I., 1842-1871]
Marie Kostílková – Taťána Petrasová
The primary sources for building and art history of one of the most significant neogothic reconstructions. The work encompasses artists‘ work focusing on differing styles, restoration of old trade techniques, issues surrounding conservation, adapting furniture, etc. The first volume covers a wide range of the works of Josef Ondřej Kranner—the first modern architect to work on the Cathedral.
Issue: I, Czech, German, 200 pp, 12 p. black and white graphic inset, Prague 1999, ISBN 80-902279-5-3
Josef Myslivec: Catalogue of Icons
Catalogue of Icons from the Collection of the formel N. P. Kondakov Institute in Prague.
Ed. Hana J. Hlaváčková
From the collection of former Kondakov Institute in Prague, the Myslivec catalogue of icons is a fundamental to Byzantine iconography studies. The detailed analysis on icons includes quotes from unknown sources on the interpretation of the 14th to 19th century. The full text has been translated to English.
Issue I., English, 132 pp text, 84 black and white graphic inset. Prague 1999, ISBN 80-902279-6-1
Rudolf II, Prague and the World
Papers from the International Conference, Prague, 2-4 September, 1997
Ed. Lubomír Konečný, Beket Bukovinská, Ivan Muchka
Papers by 45 domestic and foreign writers shed new light on a number of aspects in art and intellectual life in Central Europe between the years 1550-1650.
Issue: I, 304 pp, many black and white illustrations, hardcover, English, German, Prague 1998, ISBN 80-902279-9-6
Pražští malíři 1600–1656 [Prague painters from 1600 to 1656]
Masters, journeymen, apprentices in the Old Town painters' guild registry. Biographical Dictionary.
Ed. Michal Šroněk
Masters, journeymen and apprentices in the Old Town painters' guild registry. This biographical dictionary is a summary of the current knowledge of the Old Town professional painters' guild members and is enriched by additional archival research materials.
It includes an introductory essay on the history and current painters guild of painters biographical key denoting instruments and a register of persons and locations.
Issue: I, 235 pp, dual-colored graphic inset, Czech, German summary, Prague 1997, ISBN 80-902279-2-9
Zápisná kniha pražských stavitelů 1639–1903 [Registry of Prague builders 1639-1903]
Ed. Ivana Ebelová
An editorial treatment of a list of builders registered in the guild in Prague between 1639-1903. The volume includes a Czech and German introduction as well as Czech and German text and name registry.
Issue: I., 93 p., Czech, German, Prague 1996, ISBN 0-902279-1-0
Nápisy města Kutné Hory [Collection of Epigraphs in the town of Kutná Hora]
Kutná Hora, Kaňk, Malín a Sedlec including the former Cisterian monestary.
Corpus inscriptionum Bohemiae I.
Ed. Jiří Roháček
The first project by Kutná Hora’s epigraph fund includes epigraphs from Kutná Hora, Kaňk, Malín a Sedlec including the former Cisterian monestary. The work contains a detailed introduction to the problems of epigrafic processing, analysis of the catalog of processed resources, a scientific catalog of 227 epigraphs, 17 records, an in-depth summary of the German summary and 66 black and white image attachments.
Issue: I. 297 p., Czech, German summary, Prague 1996, ISBN 80-902279-0-2
Ze sbírek bývalého Kondakovova institutu [From the former Kondakovov Institute collections]
Icons, Coptic textiles
National Gallery exhibition catalog
Ed. Hana J. Hlaváčková
The exhibition commemorated the 70th anniversary of the death of a head of Russian emigration in Prague, N.P. Kondakov. The institute, named after him, was one of the most important scientific institutions of Russian post-revolution exile. The catalog includes 81 illustrations (12 in color) as well as studies focused on the Institute and its archives, icons, Russian cast metal sculptures and a
Issue I, 116 p., Czech, English captions, Prague 1995