Performing the East: Case-studies of Performance Art in Russia, Latvia and Poland since 1980

Performing the East: Case-studies of Performance Art in Russia, Latvia and Poland since 1980

On 22 June 2011 Amy Bryzgel from the University of Aberdeen explains – in her lecture held at 3.30 p.m. in the Institute of Art History, Husova 4, Prague 1, room 117 – how different socio-political circumstances influenced performance art in Eastern Europe. In Western Europe and North America, performance art developed as a genre in its own right in the 1960s and 1970s, as a way for artists to escape the commercialised space of the art gallery and create a work of art that existed in time and space, which could not be bought or sold.

Attached file: 20110622_Bryzgel.pdf

In Eastern Europe, however, traditions of performance art remain largely unexamined. In her paper, Amy Bryzgel will present case-studies, in which she attempts to situate these artists and their performances within the context of performance art. Using local, regional and global contextualisation, she aims to present a more nuanced understanding of performance art practices, East and West.

 

Amy Bryzgel is specialised in contemporary art from Eastern Europe and Russia.

Her current book manuscript, Performing the East: Performance Art in Russia, Latvia and Poland since 1980, is forthcoming with IB Tauris (2012). New research is in examining controversial art works and acts in the late- and post-communist periods in Eastern Europe and Russia. She is also working on a monograph on the Latvian performance artist and painter, Miervaldis Polis.

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