In the exhibition catalogue, which has the same title and is published by the SKIRA publishing house, Vojtěch Lahoda considers the “forgotten” Cubism to the east of Paris (C´era una volta l´Est: il cubismo perduto, pp. 85–101). The focus is understandably on Cubism in the Czech lands, which is examined by means of terms such as “remake” or “transfer”. Apart from its emphasis on the Czech setting, the strategy of communication with Paris, and ways of obtaining photographs of the most up-to-date developments, the article also stresses the Cubist “heterogeneous” exploits in Polish, Latvian, Hungarian, and Romanian Modernism. Mention is made of solitary artists, such as the Lithuanian Vytautas Kairiūkštis, whose Cubist Composition from 1921 is reproduced in the catalogue, together with Kubišta’s Hypnotiser (1912) from the Gallery of Fine Arts in Ostrava and Filla’s The Head of an Old Man (1914) from the West Bohemian Gallery in Plzeň. The catalogue contains studies, published only in Italian, by Charlotte Eyerman, David Cottington, Kenneth E. Silver, Christopher Reed, William H. Robinson, Nina Gurianova, Vojtěch Lahoda, Simonetta Lux and Massimiliano Lopez.