A looming presence during the Middle Ages and beyond, this Frankish king and emperor, who died in 814, had a cultural afterlife that far exceeded any other medieval historical figure. The symposium for 2014 seeks to examine the medieval reception (and representation) of Charlemagne on the 1200th anniversary of his death, as he became a model sovereign, a literary personage, and a saint. The holy emperor was venerated in a complex though limited manner, resulting in the elaboration of a distinct hagiographical discourse and the composition of a liturgical office.

The literary fortunes of Charlemagne, highlighted as early as 1865 by Gaston Paris, experienced multiple permutations. Latin and vernacular literature (French, Italian, German, English, etc.), produced divergent associations and separate developments, from historical works to chansons de geste. These literary representations went hand in hand with visual portrayals in manuscripts, stained glass, sculpture, and architecture. Charlemagne was also conjured as a figure of pilgrimage and a founder (real or imagined) of monasteries, cities, and universities, attached to these institutions through stories and forged documents to which his name was affixed. The figure of Charlemagne served to construct and define an ideal, which was shaped and reshaped by different eras according to their respective needs.

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