Lévi-Strauss, Schaeffer, Wagner: hudební struktura mýtu
Abstract
Lévi-Strauss, Schaeffer, Wagner: The Musical Structure of Myth
The aim of the present paper is to analyse briefly the complicated references to musical composition in the work of Claude Lévi-Strauss. In his monumental tetralogy entitled Mythologiques, Lévi-Strauss considers the musical composition as a paradigm for structural analysis of myths. In this respect, the author compares Lévi-Strauss’ position with that of Pierre Schaeffer whose project of the “concrete music” is strongly criticised by Lévi-Strauss. In the second part of the text, Lévi-Strauss’ structural analysis of Wagner’s operas are examined, as well as the criticism ad dressed to Lévi-Strauss by Jean-Jacques Nattiez – universalist pretension and vagueness of the method based upon binary oppositions seems to represent weak points of Lévi-Strauss’ impressive effort to set new bases for human sciences.
The aim of the present paper is to analyse briefly the complicated references to musical composition in the work of Claude Lévi-Strauss. In his monumental tetralogy entitled Mythologiques, Lévi-Strauss considers the musical composition as a paradigm for structural analysis of myths. In this respect, the author compares Lévi-Strauss’ position with that of Pierre Schaeffer whose project of the “concrete music” is strongly criticised by Lévi-Strauss. In the second part of the text, Lévi-Strauss’ structural analysis of Wagner’s operas are examined, as well as the criticism ad dressed to Lévi-Strauss by Jean-Jacques Nattiez – universalist pretension and vagueness of the method based upon binary oppositions seems to represent weak points of Lévi-Strauss’ impressive effort to set new bases for human sciences.
Keywords
structural anthropology; methodology of human sciences; musical composition; concrete music; Richard Wagner
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