Women’s Voices of the Caribbean Diaspora and the Creation of a Thirdspace in Josefina Báez’s Performative TextMartina BařinováGender a výzkum / Gender and Research 2022, 23 (1): 13-31 | DOI: 10.13060/gav.2022.003 This study focuses on how the Caribbean diaspora is reflected in the novel Levente no. Yolayorkdominicanyork by the New York–based Dominican artist Josefina Báez. Through dialogues and anecdotes the author depicts the everyday life of a community of women living in an apartment building located in a Hispanic neighbourhood in New York. In a close reading, I read the apartment building, called ‘Ni é’, as a metaphor of a glocal community. The novel can thus be read through the lens of the postcolonial debate about centre and periphery. I also analyse the work through the lens of the thirdspace theory, which is an especially important... |
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The Cabinet of (Pop) Cultural Curiosities or the Camp Phenomenon in the Work of the Band ČokovokoPeter DemeterGender a výzkum / Gender and Research 2022, 23 (1): 57-72 | DOI: 10.13060/gav.2022.005 In his contribution, the author presents the concept of a cabinet of (pop)cultural curiosities, which is based on the prefigurement of Mannerist and Baroque cabinets, or the so-called Wunderkammer, Kunstkammer, etc. He uses this concept to interpret the work of the Czech rap band Čokovoko, relying on the theory and history of the camp phenomenon, which is based on aesthetic transgressions, ironic attitudes and the stretching of the boundaries between taste and tastelessness. The metaphor of the cabinet of curiosities allows to describe and explore the specific ways in which the peculiarly frivolous play with themes concerning women and their stereotypical... |
The Woman Who Saw the Devil: Gender Representations in Brazil’s Cordel NarrativesKateřina BřezinováGender a výzkum / Gender and Research 2022, 23 (1): 73-98 | DOI: 10.13060/gav.2022.006 This article focuses on the cordel as an idiosyncratic manifestation of Brazilian popular culture. It sets the results of original research on cordel gender representations within the specific social, cultural, and political contexts in which they originated/emerged. The article is based on research grounded in cultural studies and this discipline’s insistence on the critical importance of race, gender, and religion. The author argues that cordels – poems printed in cheap booklets with an illustrated cover and marketed to the mass public – offer important insights into existing social and gender norms in Brazil. Whereas in the past... |