Gender a výzkum / Gender and Research, 2022 (vol. 23), issue 1
Reprezentace genderu v populární kultuře

Women’s Voices of the Caribbean Diaspora and the Creation of a Thirdspace in Josefina Báez’s Performative Text

Martina Bařinová

Gender a výzkum / Gender and Research 2022, 23 (1): 13-31 | DOI: 10.13060/gav.2022.003  

This study focuses on how the Caribbean diaspora is reflected in the novel Levente no. Yolayorkdominicanyork by the New York–based Dominican artist Josefina Báez. Through dialogues and anecdotes the author depicts the everyday life of a community of women living in an apartment building located in a Hispanic neighbourhood in New York. In a close reading, I read the apartment building, called ‘Ni é’, as a metaphor of a glocal community. The novel can thus be read through the lens of the postcolonial debate about centre and periphery. I also analyse the work through the lens of the thirdspace theory, which is an especially important...


Shame on the Creators, Praise for the Players? On Gender Stereotypes and Subversive Gaming in Digital Games

Michal Čuřín

Gender a výzkum / Gender and Research 2022, 23 (1): 32-56 | DOI: 10.13060/gav.2022.004  

The article attempts to capture the current value shifts taking place in the game industry by looking at the debate on the contemporary digital game Kingdom Come: Deliverance by the Czech development studio Warhorse. For the purposes of contextualisation, the article also reflects on a case known as Gamergate, which served to highlight certain issues in the conception of games and questions about representation and diversity in games. Digital games are no longer the domain of young men alone as gamers now come from all genders and many age groups. Through a gender analysis of this digital game and a discussion/analysis of the controversy surrounding...

The Cabinet of (Pop) Cultural Curiosities or the Camp Phenomenon in the Work of the Band Čokovoko

Peter Demeter

Gender a výzkum / Gender and Research 2022, 23 (1): 57-72 | DOI: 10.13060/gav.2022.005  

In his contribution, the author presents the concept of a cabinet of (pop)cultural curiosities, which is based on the prefigurement of Mannerist and Baroque cabinets, or the so-called Wunderkammer, Kunstkammer, etc. He uses this concept to interpret the work of the Czech rap band Čokovoko, relying on the theory and history of the camp phenomenon, which is based on aesthetic transgressions, ironic attitudes and the stretching of the boundaries between taste and tastelessness. The metaphor of the cabinet of curiosities allows to describe and explore the specific ways in which the peculiarly frivolous play with themes concerning women and their stereotypical...

The Woman Who Saw the Devil: Gender Representations in Brazil’s Cordel Narratives

Kateřina Březinová

Gender a výzkum / Gender and Research 2022, 23 (1): 73-98 | DOI: 10.13060/gav.2022.006  

This article focuses on the cordel as an idiosyncratic manifestation of Brazilian popular culture. It sets the results of original research on cordel gender representations within the specific social, cultural, and political contexts in which they originated/emerged. The article is based on research grounded in cultural studies and this discipline’s insistence on the critical importance of race, gender, and religion. The author argues that cordels – poems printed in cheap booklets with an illustrated cover and marketed to the mass public – offer important insights into existing social and gender norms in Brazil. Whereas in the past...